Game Review: Sleaford Mods' Jason Williamson Takes On Character in Sceptical Look at Ecstasy Generation Era
Produced by Portishead co-founder Geoff Barrow, this sharp-edged though slight first film turns a sceptical eye on the ecstasy-fueled club scene. Self-serving pillhead David (Marc Bessant) first robs an unconscious dealer, then in another flashback tries to burgle his own family home. In no time, he's overturned in the remains of his car in a woodland – and subject to the wrathful eye of the Poacher (vocalist Jason Williamson). Refusing to extricate David, with impatience toward townies, he is a fractured society embodied: “You’re one of those loud individuals from up on the heath.”
Unsteady Opening and Darkly Funny Duel
The film begins uncertainly, lingering excessively on pedantically chronicling David’s attempt to extricate himself from his safety harness, while awkwardly transitioning into flashbacks of his normal activities. The bigger point – that the ecstasy generation were mainly focused on themselves – is firmly made. But these brief episodes are insufficiently developed to adequately prepare us for what to expect when the Poacher turns up, fuming after David strangles his dog. Nevertheless, a grimly amusing duel takes hold – David eager to get away; the Poacher withholding his jerrycan of scrumpy, intent on dousing him instead in embittered discourse. Williamson, projecting heavy threat in the role, is reminiscent of Michael Smiley.
Visual Flair and Music Video Vibe
Just a single key story turn, but it results in a comically executed chaotic run on the woodland paths that dips close to rural terror. Filmmaker John Minton finally gets to go all in with his ostentatious visuals: where he was focused intently doing impressionistic closeups of bugs in headlights in the opening part, he now goes all out with the full lysergic grand display, accompanied by a wild organ version of Ravel’s Boléro. Game feels more like an elongated music video than a complete narrative, but there’s enough bold visuals to suggest that Minton could follow Jonathan Glazer, Garth Jennings et al into making the leap from the Brit music promo scene.
The film is in UK and Irish theaters from 17 November.
